Archive for the 'Making it Work' Category

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26 July 2010

Regular Maintenance for Law Firm Web Sites

regular maintenanceIf you’re responsible for the content at your firm’s web site, take my advice — do regular maintenance on the site, like it was a car that needed its oil checked every so often.

A web site — a site with lots and lots of content — is the sort of appliance that needs regular maintenance to keep doing it’s thing — attracting potential clients and leaving them with a favorable impression of your firm.

Let’s say a potential client is looking for some information on copyrights, and he discovers this page that looks to have just what he’s looking for.

He clicks this link on the page and gets nothing in return. Ditto when he clicks this link, or this one, or this one.

That’s not good, because this potential client isn’t likely to form a favorable impression of the firm, simply because the firm’s web site isn’t working right.

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Here’s what you should do if you’re responsible for a site with lots of content: establish a regular maintenance schedule that includes a daily, weekly, or monthly review of the site’s error logs.

If you don’t know how to do that, call me.

I can help you prevent potential clients from getting a bad impression of your firm just because everyone’s too busy to keep track of the web site — and that does happen.

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6 July 2010

Electronic Business Cards for Law Firms

You join a new law firm, and a few days later, they arrive: your brand new business cards. You open the box they came in, withdraw one card, and study it. And then you discover an error!

A mild case of excitement becomes a small disappointment.

This is an error that MUST BE FIXED!

You are not going to hand out business cards with your name misspelled. Who would?

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Attorneys should apply the same sort of reasoning to their firms’ web sites — those electronic billboards posted along the information super highway. And every attorney, I say, should examine his bio. An error there could be just as intolerable as an error on a business card.

Note: I am still tracking an attorney whose bio (for the past three years) claims he graduated from Hardvard. What does that say of the attorney?

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There are others who serve attorneys, and one of them should make sure his firm’s web site is working OK.

Here are a few things you (if you’re the one responsible for such things) should do regularly:

Check the site’s activity and error logs at least once a day

How many visitors did the site get yesterday? How does that compare to one year ago? Are the errors significant? Are they brand new, or have they been there forever?

Make sure Google is including the site in search results

Copy a line from something that was recently posted at the site. Ask Google to find it. If it does, fine. If not, you may have a serious problem on your hands. It just might be that someone’s hacked your firm’s web site.

Ouch!

Check the site’s latest content

Did someone just post something he should not have? A former staffer who still has administrative access? An associate who has no idea that you can’t just republish news articles?

Check the site’s oldest content

Are you advertising an event that happened a year ago? Why? Does that make a bit of sense? Oh . . . I see . . . you’re caught up in the SEO craze — publish anything and everything on the assumption that more traffic means better results.

Check other sites for your site’s content

Grab a string from some of your site’s new content and from some of its old content. Do a search on both. Does either string show up on some other web site? Which site, and why? Did you give permission?

There’s much more you can do to make sure your site is working OK, that it’s not been hacked in recent days, that others aren’t appropriating your content without your consent, that Google hasn’t stopped reporting results from your site, etc.

PS: If you don’t have the time or the wherewithal, consider commissioning a Webitor’s Audit of your firm’s site.

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An ounce of prevention is worth a pound of cure.

– Benjamin Franklin

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18 May 2010

Audience Analysis — Part I

Why do people attend seminars hosted by law firms?

To learn.

What is the purpose of these seminars?

To teach.

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I thought about that recently.

I was attending a seminar on employment law, and I was wondering why the attorneys were doing what they were doing: for the first hour of the seminar, they were breezing through cases related to employment law.

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10 May 2010

Have You Read 70c40efd-86ef-4d27-90b5-8d818b15f2fc.pdf Yet?

Seems as if some law firms are going against the flow.

While companies around the world are following Apple’s lead in making everything simple and easy to use, law firms touting their deep and abiding commitment to excellence are, to some extent, treating their clients like machines rather than people.

When a company (or law firm) really cares about excellence, it shows; and it shows in very many things. If a customer has a question, the company that really cares responds promptly and in suitable style; that is, the answer isn’t just delivered quickly, it makes sense.

And the company that really cares doesn’t confront the layperson with highly technical information.

Here’s an example. If you download the QuickTime 7.2 User’s Guide from Apple.com, you get a file named QuickTime_7.2_User_Guide.pdf.

That makes perfect sense. The file name says the file contains the user guide for version 7.2 of QuickTime. That’s quite a convenience.

Now, download some files your firm’s web site. Download some client alerts, or newsletters, or press releases.

Do they have descriptive names like karvelas-on-US_steel-v-Shell.pdf

or meaningless names like 70c40efd-86ef-4d27-90b5-8d818b15f2fc.pdf?

If the latter, then your firm isn’t really serious about offering superior client service.

And neither are the firm’s leaders.

If they were truly serious about client service, if they had Steve Jobs’ passion for superior service, it would show; it would show in big things, and it would show in the little things*.

As it is, the managers of so many firms are far too busy to really worry about little things.

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Sure, how you name the files you provide to clients and prospective clients seems trivial, but it’s important. Imagine someone doing research. He collects a folder full of files he wants to review. If the names of the files from Firm A are meaningful and the files from Firm B are meaningless, guess which firm the researcher likes best.

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3 May 2010

Type Image & Motion

Let’s look at four web sites that use Flash to cycle through comps.

Click a comp to visit a site and watch the show:

Adobe Flash -- Image and Type Adobe Flash Image and Type
Adobe Flash Image and Type Adobe Flash -- Image and Type

Which sites were hard to read and which sites were easy to read?

Which made a good impression, and which seemed inferior?

Did you have enough time to read the copy before it cycled out?

How long did it take to figure out how to control the animation at each site?

Did you notice how the communications company used much less type than the law firms?

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Note: If you enjoyed this post, you should review a recent series I did on Type & Image.

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26 April 2010

Less is More

This post is the first in a series on cutting verbiage in
everything from briefs to proposals.

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When it comes to proposals, attorneys need to do just the opposite of what many believe they should: they need to be brief — whether the competition is fierce, or one dark horse.

The shortest proposal has a distinct advantage over all others — most reviewers look at it first, whether they’re pressed for time, or not. Sometimes, it’s the only proposal they read.

Consider what Anne Lee Gibson — someone highly regarded for her ability to help law firms produce winning proposals — has to say in this article, “RFPs – When and how to compete

“And remember that “the executive summary is the most important chapter in the proposal” because it’s the section most likely to be read. Think “less is more” throughout, because “when asked which proposals they read first, corporate counsel almost always say, ‘The shortest ones.’”

Given the great value in using as few words as necessary — as Robert Browning put it, “Less is more” — let’s devote the next several posts to brevity: how to whittle 50 words down to 20.

How does that sound?

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Here’s the second post.

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30 March 2010

Down with Fuzzy Looking Attorneys — Part I

Have you ever seen a photograph that got fuzzier the closer you looked at it?

If you use the Internet, you have.

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Let’s play Make Believe: Make believe you’re an attorney who charges clients between $500 and $800 per hour. You take considerable pride in your appearance. You wear expensive clothes that look brand new.

And you’re smart. Before you meet someone who might consider paying you $600 or $700 an hour, you tend to your appearance. If you’re about to make a first impression before a very attractive client, you want it to be terrific. Right?

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Forget it!

The very attractive, potential client already has some impression of you.

How is that possible?

Curious about you, this potential client does some research. Before he contacts you, he wants a good idea of who you are, what your experience is, and who you know.

So . . . he sees your firm’s home page, and that makes an impression. Then he looks at your bio page. He quickly focuses on your visage — a photo of you taken when the firm’s web site was revised a few years back.

And that — along with the info in your bio — makes his impression of you much more definite.

That’s how it works. (People form their initial impressions of others in the blink of an eye.)

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Let me ask you this (and remember, it’s still make believe) — does your photo resemble any of these? I mean, in terms of quality.

Picture of John Victor Roos as published by Wilson Sonsini Picture of Page Mailliard as published by Wilson Sonsini
Picture of Susan Creighton as published by Wilson Sonsini Picture ofCynthia Ann Dy as published by Wilson Sonsini

If so, the potential client’s early impression of you just took a deep turn for the worse, because it seems you don’t pay attention to detail, or don’t bother to fix obvious errors. He’s disturbed by the poor quality of what he sees, and he figures, “Any attorney who accepts such sloppy work can’t be worth $600 per hour.”

You might take great pride in your appearance, but your photo says you don’t. Just for that, you might not get the call; you might not get the opportunity to show the potential client just how sharp you are.

Don’t ever forget the potent power of first impressions.

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That’s it for now, and make believe is over.

Tune in next time, and learn how to make sure photos of your attorneys don’t portray them as fuzzy attorneys.
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26 March 2010

More Type & Image — Responding to Readers

This is part of a series titled Type & Image.

It’s about how you can set type on an image so it looks good and is very legible.

The whole discussion began with this comp I found at a law firm’s web site:

Type on image from Nutter's home page

Since the firm’s site uses variable text on a variable image, we set a lofty goal for this series: how to set very legible captions to foreign-language films.

If you want to know how we came up with that as our goal, read the series. It starts right here.

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Let’s start out with this familiar image:

Picture of the Supreme Court building with Article III, Section 1 of the U.S. Constitution -- The judicial Power of the United States shall be vested in one Supreme Court, and in such inferior Courts as the Congress may from time to time ordain and establish.

Here’s the same image with the same copy set in a very different way:
Picture of the Supreme Court building

The judicial Power of the United States
shall be vested in one Supreme Court,
and in such inferior Courts Congress may
from time to time ordain and establish.

Zoom in on this page, and then zoom way out.

As you do, notice how the copy in the bottom photo looks good at any level of zoom (even if it doesn’t provide enough contrast with all of the background); not so with the copy in the top photo (which is so lacking in contrast with part of the image).

The difference? Yes, the copy in the bottom photo has a drop shadow. That’s obvious. What’s not so obvious is that the copy in the bottom photo is set in HTML; the copy in the top photo is part of the photo.

Click and drag the two photos. Notice that the copy moves along with one photo, but not the other.

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One reader writes:

“Why set the copy as part of the image? Why not set it as HTML that overprints the image?”

A most excellent question.

One big reason for setting copy as part of an image (rather than setting it in HTML) is you know just how it’s going to look (assuming you do it correctly). And you have much, much, much more control over style.

When you set the copy as part of the image, you can get real fancy and do astounding things like this:

busy background with stylish overprint

NOTE: zoom in and out on this image (a very busy Times Square at night) that includes very stylized type. See how the type maintains its quality at any level of zoom, even though it’s set as part of the image. Now that’s Set in Style.

You can’t do that with HTML.

There are lots of things you can’t do with HTML right now. But things are changing.

Not long ago, you couldn’t set a drop shadow in HTML.

In the not-so-distant future, you can expect HTML editors to let you do much of what you now need Illustrator or Photoshop to do.

Heck . . . in the not-so-distant future, you’ll be able to resize images with no loss in quality, and type will always render well.

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Another reader writes:

“In your posts on placing text on an image, I think you forgot something. When you replace text with a graphic, search engines can no longer find it. A search engine won’t find the text of Article III, Section 1 you used in your image because it’s part of the image, rather than text.”

What a fascination we have with search engines and search engine optimization and key words and most frequently used phrases and Google searches and such.

The reader’s right, to a point.

Search engines are great at reading text, but they don’t read images well at all. A search engine has no idea that a picture of a tree is a picture of a tree. That is, unless you use tags to specify that it’s a picture of a tree.

Move the cursor over the picture (of the Supreme Court building with the sky in the background) that has the copy set as part of the picture. After a second or so, hover text appears describing the picture, and the text of Article III, Section 1.

Search engines can and do read hover text, so if you want to include copy as part of an image and have search engines find it, just put it in the tag that holds the hover text.

But . . . wait a second. Why do you want a search engine to know your site has the text of Article III, Section 1?

Why?

Have you been swept up in the SEO madness that’s given rise to a cottage industry to help potential clients searching for information on Personal Injury Lawyers in the Lower Part of Manhattan Who Offer Free Counseling to Those Who’ve Been Injured in a Traffic Accident? What good will it do you to let search engines know that your site includes the text of Article III, Section 1?

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Yet another reader writes:

“In your series on Type & Image, you use software I don’t have and software I wouldn’t know how to use if I did have it. I don’t know the first thing about Photoshop or Illustrator. So, how can I apply what you teach?”

Great question.

If you don’t know your way around Photoshop and Illustrator, your best bet is to hire someone who does. Or, if you know your Photoshop and Illustrator but you haven’t donated several thousand dollars to Adobe to get your own copies of them, go to Kinko’s and rent a computer that’s got those apps.

But let me ask you this: what the heck are you doing setting variable copy on variable images?

Have you lost your mind?

This is the web, not some foreign-language film.

Or have you got your eye on the future web, the one that will offer a much richer experience than today’s web?

If you do, good for you.

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22 March 2010

Type & Image — Some Samples

This is part of a series titled Type & Image.

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Some firms truly realize how important it is to look sharp — especially when the goal is to charge clients $600 per hour.

When it comes to setting type on a real image, Luce Forward is one of them.

Here’s just one example. It’s from the firm’s home page:

Luce Forward -- home page, web site, knock-out type, drop shadow

That’s pretty well set.

It would be nice to have more contrast between the type and the sky in the bottom line, but there are only four words in that line.

That’s considerably better than what’s at the home page of Nutter McClennen & Fish LLP:

Type on image from Nutter's home page

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Luce Forward presents itself better than Nutter. It seems more professional and classier than Nutter, and that’s the first impression one gets.

If Luce is worth $600 per hour, then Nutter’s worth $225 — just by the looks of it, that is.

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4 March 2010

Type & Image — Part II

Yesterday,  we examined this comp (below) in which copy (foreground) was knocked out of a photo (background).

knock out type with low contrast to the background is hard to read

Obviously, the comp’s a dud: thin white type on a light yellow background is hard to read, and that’s not a very good way to market professional services (or much of anything). Better yet, it’s a terrible way to say what you do.

Compare that to this comp from the same site:

when you give text a background, you need to consider contrast

Much easier to read, is it not?

Before we get into it, let me ask you this — Did you look at some TV commercials like I said you should?

You really need to.

If you haven’t, then before you read any further, look at some commercials. Look for type on a real image, static or moving. Go do it now, before you read any further.

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Attorneys are Authors and Law Firms are Publishers